David A Damschroder
David A Damschroder
David Damschroder trained in mathematics, keyboard performance, and music theory, earning graduate degrees from the Eastman School of Music and Yale University. His current research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking About Harmony: Perspectives from the Eighteenth and Nineteenth Centuries (Cambridge University Press, 2008). The project continues with focused studies on selected repertoires: Harmony in Schubert (Cambridge University Press, 2010), Harmony in Haydn and Mozart (Cambridge University Press, 2012), and Harmony in Chopin (in preparation). Future volumes will be devoted to Beethoven and Mendelssohn/Schumann, followed by a series of books on harmony post-1850. Damschroder offers a range of graduate seminars, commencing with a foundational fall course that melds elements of Schenkerian analysis and the history of music theory, followed by a rotation of spring courses continuing the development of the Schenkerian perspective in conjunction with innovative procedures for harmonic analysis. Graduate performance majors and advanced undergraduates have been enrolling in Damschroder’s Schenkerian Analysis for Performers course for thirty years. This practical orientation to analysis incorporates explorations of works from individual students’ repertoires. It may serve as prerequisite for the spring analysis seminars. Damschroder has had extensive experience teaching undergraduates, both music majors and non-majors. He has taught Sophomore Theory and Ear-Training at the University of Minnesota since his appointment in 1983. Currently he teaches the fourth semester of the core curriculum, a spring course devoted to chromatic harmony, plus rondo and sonata forms. Offshoots of his teaching include the textbooks Listen and Sing (Schirmer/Wadsworth, 1995), Foundations of Music and Musicianship (Schirmer/Wadsworth, 2006), and Schenkerian Analysis (in preparation). Most graduate music theory majors with research interests in tonal music have the opportunity to apprentice as teaching assistants in the sophomore course. Damschroder is the principal author of Music Theory from Zarlino to Schenker (Pendragon Press, 1990), which the Society for Music Theory honored with a special citation. His articles and reviews have appeared in Music Theory Spectrum, The Journal of Music Theory, Music Theory Online, In Theory Only, The Journal of Music Theory Pedagogy, The Journal of Musicological Research, and Gamut. As a complement to his scholarly, analytical and pedagogical work, Damschroder occasionally performs on fortepiano and modern piano. He has traveled extensively throughout Europe and India. His interests outside of music include Renaissance art, German literature, and yoga.
- analysis of tonal music (Schenkerian emphasis)
- theories of harmony (18th – 21st centuries)
- music of the nineteenth century
- fortepiano performance and repertoire
- Harmony in Haydn and Mozart. Damschroder, David, Cambridge University Press, Author, 2012.
- Analysis: Damschroder, David, Oxford University Press, Oxford Bibliographies Online, 2011.
- Harmony in Schubert. Damschroder, David, Cambridge University Press, Author, 2010.
- Schenker, Schubert, and the Subtonic Chord: Damschroder, David, Gamut, 3/1 , 2010.
- Thinking About Harmony: Historical Perspectives on Analysis. Damschroder, David, Cambridge University Press, Author, 2008.
- Schubert, Chromaticism, and the Ascending 5–6 Sequence: Damschroder, David, Journal of Music Theory, 50/2 253â€“275, 2006.
- Foundations of Music and Musicianship, 3rd ed. Damschroder, David, Schirmer, Author, 2006.
- Listen and Sing: Lessons in Ear-Training and Sight-Singing. Damschroder, David, Schirmer Books, 1995.
- Music Theory from Zarlino to Schenker: A Bibliography and Guide. Damschroder, David, David Russell Williams, Pendragon Press, 1990.
- Harmonic analysis of tonal music: Combines speculative theory, history of harmonic analysis, and Schenkerian analysis, since 2004
- Harmonic Theory in the Eighteenth and Nineteenth Centuries: exploration of many treatises from the era of tonal music
- Member, Society for Music Theory
- Member, American Musicological Society
- Member, Music Theory Society of New York State
- Member, Westfield Center for Early Keyboard Studies
- Arts Advisory Council, Saint Paul Conservatory for Performing Arts: 2009 - 2012
- Bush Supplement Sabbatical Program Award, 1993 - 1994
- Society for Music Theory Special Citation Publication Award for Music Theory from Zarlino to Schenker: A Bibliography and Guide, 1991
- Grant-in-Aid of Research, Artistry and Scholarship, 1984 - 1985
- Single-Semester Research Leave, University of Minnesota, Fall 2010
- University of Minnesota Imagine Fund Award, 2009, 2010, 2011, 20
- Mus 1001 - Fundamentals of Music
- Mus 3502 - Theory and Analysis of Tonal Music IV
- Mus 5571 - Schenkerian Analysis for Performers
- Mus 8580 – Analysis of Tonal Music
- Mus 8581 - Schenkerian Theory and Analysis I
- Mus 8582 – Schenkerian Theory and Analysis II